Once again we return to our So You Want My Job  series, in which we interview men who are employed in desirable jobs and ask them about the reality of their work and for advice on how men can live their dream.
Our interview subject today is one interesting cat. Roni Zulu is a LA-based cellist, antique car restorer, Freemason, and renowned tattoo artist. Zulu has had so much success in his profession that people now must wait months for an appointment with him. And yet his path into this unique career was not a straight one.
Zulu earned a masters in fine arts and found work as a graphic artist, and yet did not feel satisfied with his life. As a young man he had seen his friend’s family slaughter a goat as part of the boy’s rite of passage into manhood. Zulu was fascinated at the time, and this curiosity led him to study the tribal rituals of different cultures, and to conclude that tattoos were a spiritual tradition that united peoples all around the world. He came to believe that tattooing was a sacred and ancient art, a symbol of rites of passage, significant life events, and healing, and that bringing a sense of spirituality to Western tattooing and moving the art beyond etching butterfly tramp stamps on the backs of drunken women was his true life’s calling.
Zulu traveled frequently to the Tahitian islands and Samoa to gather inspiration and studied the symbols of tribes around the world. He spent years learning from other artists and finding and developing a technique and style all his own. But when he was first starting out this sensibility, along with his interest in doing tribal tattoos (which were not popular at the time) and the fact that he was a rare black man in a predominately white profession, made the going tough. But eventually his new approach to tattooing won enthusiastic converts.
Zulu’s approach to tattooing remains different than many other American tattoo artists. He requires a potential client to meet with him several times over a period of months. During this period Zulu talks to the client about the tattoo they want, what it means to them, and whether it’s really right for them. He consults the mystics of different faiths to get a sense of how to shape what the client desires. He believes intimacy is an important component of the tattooing process and strives to make a connection with the client–he doesn’t tattoo “strangers”–and if the connection cannot be made, he does not do the tattoo. If he does move forward, he gives the client the artwork when the tattoo is finished; each piece is unique and will be used on no one else.
Zulu’s life story is an interesting one, and I could go on, but his answers to our SWYMJ questions are interesting too. So let’s turn to that.
1. Tell us a little about yourself (Where are you from? How old are you? Describe your job and how long you’ve been at it, etc.).
From my childhood to my early teens I was raised in Terre Haute, Indiana. My later high school years were spent in Sarasota, Florida where I also attended the Ringling School of Art and Design. In my early twenties I moved to Hollywood, CA, and I have been here ever since. My current age is a youthful, vibrant 48! I am a tattoo designer/artist specializing in custom work.
2. Why did you want to become a tattoo artist? When did you know it was what you wanted to do?
I had a successful career as a graphic designer/commercial illustrator, but I didn’t feel fulfilled. I’d go to work every day and my talents were exploited for the sole purpose of selling a product. No one cared if my art evoked some profound human emotion or touched people in a positive way; nor was there concern if I was knowledgeable of the great masters and the impact of art on society as a whole throughout time…my job was to make a product package that caused people to BUY, BUY, BUY!!!! I kinda felt like a pimped out hooker!
At that time a lot of my tattooed friends expressed that they liked my personal drawings and paintings and wanted me to design tattoos for them. I did this for quite some time until one friend in particular insisted that I not only design his tattoo but also tattoo him myself. I then decided to learn the art of tattooing as a hobby for close friends, tattooing out of a spare room in my home. The requests from friends became more frequent, and my home could not accommodate them all, so I decided to rent a small studio space to carry out my hobby. I started to charge for my services to at least cover studio rent. Tattooing friends grew to tattooing and charging others I did not even know and I suppose, some 20 years of tattooing later, that is what I’m still doing today…a hobby/passion that I love and just so happen to get paid for!
3. If a man wants to become a tattoo artist, how should he prepare? How do you learn the skills and artistry necessary to succeed at the job?
One must seek out an apprenticeship to become a tattoo artist. First and foremost one must already be an artist well-skilled at drawing and hopefully painting as well; I can teach anyone the technical skill of tattooing but your tattoos will only be as good as you can draw. Be careful in seeking out an apprenticeship; it is quite common to get ripped off. Many would-be tattoo gurus are nothing more than charlatans seeking someone to pay their rent, degrade, fetch donuts and sweep their floors without delivering a sound education. Find a tattoo artist who respects the craft and is genuinely concerned about your learning.
Be prepared to pay handsomely; you are investing in an education no different than what some pay for university.
4. I assume most tattoo artists want to one day own their own shop. But how do they get there? How do you get hired for your first job and then go about attracting clients and making a name for yourself? How did you get to where you are and what tips do you have for others?
After completing an apprenticeship you must build a body of work in a portfolio and shop around to various studios for employment. Most of this leg work can be done via email or web links to your work. Your portfolio will speak for itself and could gain you an interview and subsequent employment. After some time spent tattooing in an established studio you will gain a clientele that requests you personally, which in turn sets you up for the possibility of eventually opening your own shop.
Opening your own studio is quite an undertaking; most artists are poor businessmen, and therefore you must hone your business skills as sharply as you have your artistic talents; not doing so is the #1 cause of failure of tattoo shops (or any artistic endeavor for that matter). Check your state and city laws concerning the legalities of opening a shop; there are many restrictions that vary state to state, and you must comply or be shut down. The absolute and #1 compliance you must meet is that of health code and blood born pathogen training; I don’t care if you can tattoo like Michelangelo if you are infecting your clients with a new strain of the plague!!!
5. What separates those who become successful tattoo artists from those who never get anywhere with it? What qualities must the successful tattoo artist possess?
It’s been said “we are all created equal”…sorry, that doesn’t fly in the world of art; otherwise, all of us would have decorated a corner of the Sistine Chapel. You must be prolific with an exceptional talent in drawing and hopefully painting as well in order to excel above the masses of tattooists in an ever growing and now socially accepted medium. As I’ve already mentioned–I can teach anyone the technicalities required to tattoo, but your work will only be as good as you could previously draw and/or paint. You must be a “people person” in order to do well in this career too. A good portion of your day will consist of dealing with client’s first time tattoo jitters, constantly answering the same questions over and over to each new client, and deciphering a myriad of individual life stories that will require you to be a bit of a counselor/psychiatrist/shaman in order to translate your client’s wishes and life experiences into a piece of art. Nobody likes that “I’m a bad ass too cool for school tattoo guy” crap anymore; if you’re not nice, approachable, and genuinely concerned for your clients’ needs then they will not want you to be involved with something as intimate as tattooing their body.
6. What is the best part of your job?
I make people happy; I make their dreams come true. I transform them from frogs to princes, from ugly ducklings to beautiful swans, from Clark Kents to Supermen. I’m the genie in the lamp. I’m Santa for adults. It has been said “the body is the temple,” well then I’m the guy who installs the stained glass windows!!! I empower people and show them who they are and who they can be. I am the facilitator of many rites of passage.
7. What is the worst part of your job?
Hearing someone say: “I’d really love to get a tattoo but I can’t because…etc., etc, etc…”
I tattoo a lot of terminally ill people who tell me, “I’m getting the tattoo I always wanted before I die.” I often wonder…why does someone have to tell us we are dying for us to start living?
8. What’s the work/family/life balance like?
This is a job that can easily follow you home and that has to be kept in check. Dealing with people’s emotions all day will affect you and that has to be left at the job site. When you are out socially people will always want to talk about and ask you tattoo questions. In my experience, it’s best to have a business card handy and ask the inquisitor to contact you via email or to phone the studio with any questions; you will learn to hate this job if it becomes all consuming…it happened to me, and I had to take a one year sabbatical before returning. It’s easy to get caught up in wanting to be “the tattoo guy” and allowing your life to be all about tattooing…big mistake! This job is so demanding of your time, mental, and physical faculties that you must balance yourself with something that has nothing at all to do with tattooing. I spend a lot of time growing bonsai trees and playing sitar; these things are very zen and relaxing as opposed to the demands of my studio and allow me to return to work fresh every day. And as much as you may pride yourself in being the famous king of tattooing, remember that if you are married and/or have children, being a good husband or father is more important to them than the fame of an artist.
9. What is the biggest misconception people have about your job?
Like most artists’ jobs; people think it’s easy or that we somehow have it made in the shade compared to a guy with a “real job.” Tattooing demands more out of you than you could ever imagine. The stress of not being able to make any mistakes at any time far exceeds the expectations of most jobs! I’ve seen countless guys and gals crack under the intense daily pressures of this profession. If you do not truly have a passion for this you will not succeed…if you’re in it just for the money I suggest you try bank robbery; it would be less stressful.
10. Any other advice, tips, commentary or anecdotes you’d like to share?
My motto…”I do not put tattoos on people; I bring tattoos out of people.”